ARCHIVES
NEWSLETTER
Spring
/ Summer 2007

The original wire reels. Photograph by Bradly Brown.
The
keywords at the Woody Guthrie Archives these days are recovery and
restoration. It seems that in addition to our ongoing research and
programs, our energies have mostly gone to working with special
projects that either recover or restore long lost historical moments.
Witness, for example, Music Inn, the newly released film
documentary about, well, the Music Inn in Lenox, Massachusetts,
where folk and jazz musicians gathered in the early 1950s to perform
music and engage with each other and their ideas about music. Think
of it as a Folk-Jazz heaven, where Woody Guthrie and Rev. Gary Davis,
Dizzy Gillespie and Ornette Coleman, Sarah Vaughn and Louis ‘Satchmo’
Armstrong all performed and work-shopped their art in the relaxed
New England countryside, as eager scholars and students listened
raptly to the masters—a veritable think-tank of musical cultures.
As it turns out, Guthrie was there for the first performance, which
is prominently featured in the film. The Woody Guthrie Archives
contributed a rare live recording of Woody, Pete Seeger, and others
singing a raucous version of “Ladies Auxiliary.” It’s
a story that truly needed to be told, and told well, which the film
does.
Speaking
of history, our 1949 Woody Guthrie wire recordings recently underwent
an extensive restoration project to transfer, process and master
this most rare find. With the help of what I call the “A-Team”
(A for Audio), Woody’s live recordings will soon be available
for your listening pleasure! Recovery and restoration—that
pretty much says it all!
Jorge Arévalo
Mateus
Curator
Archives
Projects
We are pleased
to announce Ron Briley and Guy Logsdon, Ed. D, as recipients of
the 2006 BMI Woody Guthrie Research Fellowship. Briley will focus
on Guthrie’s political ideology as a means to completing his
book, tentatively titled To Seek a Better World, while
Logsdon will delve into Guthrie’s connection to Oklahoma,
to be published in a book tentatively titled Woody’s Roots:
His Oklahoma Hills. Both writers will begin their research
in the summer months. We look forward to welcoming them to the Woody
Guthrie Archives.
Thanks to continued
support from the BMI Foundation, we have completed scanning Guthrie’s
loose-sheet song lyrics, almost two thousand items! This project
continues as we digitize our collection of Guthrie’s notebooks.
The Live
Wire: Woody Guthrie in Performance 1949, a rare live concert
recording, will be available in September. This exciting new release
has been in the works for several years, and promises to deepen
our understanding of Guthrie as a performing musician.
Exhibitions
and Programs
Our new presentation,
Global Woody: Language, Culture, History and Harmony, will
premiere at the Green Street Arts Center in Middletown, Connecticut
on September 28th. Look for details on our News
and Events page if you are interested in attending.
Bob Dylan’s
American Journey, 1956-1966, featuring rare material from the
Archives, has now moved from the Morgan Library in New York City
to the Weisman Art Museum in Minneapolis, Minnesota. The exhibit
has received rave reviews, and during its run at the Morgan Library
was supplemented with a lecture from Nora Guthrie, who highlighted
her father’s connection to Dylan and many other musicians.
We were pleased
to be able to provide a photograph of Woody Guthrie to the Bell
County Museum’s exhibit Rhythm & Rhyme: Music in Central
Texas, currently on display through June.
New
Productions and Publications
The past few
months have seen a flurry of significant Guthrie-related publications
and productions. The University Press of Mississippi published Mark
Allan Jackson’s book, Prophet Singer: The Voice and Vision
of Woody Guthrie. Jackson conducted extensive research at the
Archives in preparation for this publication, the first book-length
study of the cultural and political significance of Guthrie’s
lyrics.
As mentioned
above, Music Inn, a documentary film about the unique teaching
and performance space located in Lenox, Massachusetts, premiered
at the Tribeca Film Festival. The film features rare photographs
of Guthrie at a July 1950 performance at the Music Inn, as well
as rare live recordings from the Archives. Congratulations to the
film’s producers, Ben Barenholtz, Stephanie Sharis, Naomi
Bombardi-Wilson and George Schuller for this accomplishment!
Peter LaChapelle
published his book, Proud to Be an Okie: Migration, Identity,
and the Cultural Politics of Country Music in Los Angeles,
which includes a chapter on Guthrie based on research at the Archives.
Beluthahatchee
Blues: An Interview With Stetson Kennedy, by Jorge Arevalo,
our Head Archivist and Curator, has been published in Radicalism
in the South since Reconstruction (Palgrave Macmillan). An
exploration of Guthrie’s relationship and experiences with
activist and folklorist Stetson Kennedy, the interview highlights
a little-known period of Guthrie’s life and songwriting.
Guthrie’s
original lyrics for This Land Is Your Land will be reproduced
in a special edition of Time Magazine, Time’s Illustrated
History of the United States, 1900-2007. Look for it on newsstands
in May.
Fanfare
for the Little Guy, an essay on Guthrie by our good friend
Robert Cantwell, is scheduled for publication in 2008 in a book
tentatively Feasts of Unnaming: Essays on Ethnomimesis.
To accompany
Guthrie’s induction into the Oklahoma Hall of Fame in 2006,
the Oklahoma Heritage Association produced a short biographical
video with material from the Archives. Along with a portrait, this
video will be on permanent display at the museum in Oklahoma City.
A BBC One series
titled The Guitar will highlight several photographs from
the Archives, illustrating Guthrie’s important role in the
instrument’s history.
Recent
Researchers and Visitors to the Archives
Senate
Majority Leader Harry Reid (D-NV), a Guthrie fan, spent
an afternoon in the archives.
Musician
Tim O’Brien visited us, along with his wife
Kit, to look for new Guthrie lyrics
Musicians
James and John Abrams, along with their parents
and other family members, visited the Archives to learn more about
Guthrie’s life and songs.
Michael
Taft, Head of the Archive of Folk Culture at the Library
of Congress, stopped in to visit the Archives.
Martin
Butler returned for another visit to put the finishing
touches on his thesis on Guthrie’s Dust Bowl songs for the
University of Heidelberg, Germany.
Maya
Kosok, a student at Temple University, visited us to research
Guthrie’s responses to World War II.
|
|
Nora
Guthrie and Senator Harry Reid |
Kit
O'Brien, Nora Guthrie, and Tim O'Brien |
Special
Accessions
We are grateful
to all those who have donated material to the Archives over the
last few months. Carol Huntsman gave us a rare 78 rpm recording
of Guthrie’s Ballads From the Dust Bowl. Our good
friend Bill Murlin donated a transcription of a recently-discovered
copy of a radio play titled The Mightiest Weapon, produced
by the United States Department of the Interior, which contains
three of Guthrie’s recordings made for the Bonneville Power
Authority. As mentioned above, Guthrie is now a member of Oklahoma’s
Hall of Fame. We now have his official induction medal, along with
a commemorative plaque, in our collection.
Applications
for Conducting Research at the Archives:
Encouraged
by the range of scholarship, creativity, and inspiration that the
Woody Guthrie Collection offers, the Archives welcomes researchers,
scholars, artists, musicians, publishers, filmmakers, and those
pursuing interests related to the life, works, and times of Woody
Guthrie.
Interested researchers
must complete an Application
for Research Form. Successful applicants are
invited to set up an appointment with the archivist on Mondays, Tuesdays, and
Thursdays between 10:30 AM to 5:30 PM.
We encourage
visitors to look at the Online Collection Finding Aids on our website
before visiting the archives. At this time, due to limited staff
time and to protect the delicate collection, we are unable to accommodate
general interest visits. We hope that our ever-improving website
will satisfy general interest.
For further
information or questions, please contact the archivist. |