ARCHIVES NEWSLETTER
Fall
/ Winter 2003
Every
once in a while we receive an e-mail or letter at the Woody Guthrie
Archives that not only underlines the importance of what we do (which
is to take care of and preserve Woody Guthrie's work) but simply
makes us feel good. To this effect, I'd like to share with you Billy
Bond's letter, dated July 29, 2003:
"For
reasons I don't quite understand -- though it's connected to getting
a car with a CD player in it -- I've immersed myself in Woody's
recordings. I've read both Joel Klein's biography and BOUND
FOR GLORY a couple of times, and am nearing the end of PASTURES
OF PLENTY. When I was a kid and crazy about The Kingston Trio
and other folk groups of the time (late 50s, early 60s), I noticed
a lot of their best songs were credited to a 'W. Guthrie.' I concluded
that he must have been some great song writer whose period was
back around the 1900s. I was dumbfounded when I learned that the
songs date from the 1940s (as do I), and that Woody, though ill,
was still alive.
I have such
a welter of feelings of respect, awe, amusement and exasperation
for the man that it's going to take me forever to sort them out.
But I'll gladly do so. Again, thank you for responding. I do have
the Moe Asch recordings, the conversation/songs set from the Library
of Congress, the Sacco-Vanzetti album, the Columbia River album
(I'm from Oregon originally, so that was personally important
to me), one of the children's albums, and lots of other Guthrie
CDs. I just want more more more. I realize there really ISN'T
a great deal more, but we must have our dreams.
Please give my best to all those who work at the Archive/Foundations;
they're doing the work of angels."
Jorge Arévalo
Head Archivist
Archives
Projects
Guthrie
biographer Ed Cray recently finished his manuscript for Ramblin'
Man, the first major biography of Woody Guthrie in more than
twenty years. Due to be published by W.W. Norton & Co., in February
2004, Ramblin' Man presents a fresh perspective on Guthrie
and contains a lot of new information, photographs and images. We
look forward to its publication and expect that Woody fans everywhere
will be satisfied with the results.
In the area
of musical works there are new recordings of Woody Guthrie songs
from the Archives, including Anti-Flag's "Post-War Breakout"
(A-F Records, forthcoming) and Boston's own Dropkick Murphys' rendition
of "Gonna Be a Blackout Tonight" from their recent Blackout
release (Hellcat Records, 80446-2, 2003). It's not hard to imagine
what song we had playing in our heads when the power went out in
NYC! It is nonetheless very exciting for us to see how new generations
of artists and audiences are turning to Woody for inspiration, creating
new music through different and often unexpected genres and styles!
In other media,
Alan Handel Productions, a Canadian production company, finished
their project, "Singing in the Shadow: Children of Rock Royalty."
This documentary features children of rock stars including Ozzy
Osbourne, Aretha Franklin, Carly Simon and James Taylor, David Crosby,
and Woody Guthrie. Arlo Guthrie talks about his music, family, and
singing Woody's songs. Similarly, Sarah Lee and Abe Guthrie talk
about singing and performing Woody's and Arlo's songs with the family.
Woody perhaps would have been proud to hear his children and grandchildren
express their feelings about being part of his musical ancestry.
Stephen Gammond
of Gammond and Associates (United Kingdom) is in the late stages
of his production, "It Must Be Broke Down and Said: The Woody
Guthrie Story." For this full length documentary on Woody Guthrie,
Gammond has done a lot of "hard travelin'" around the
US, following Woody's history and capturing images of places that
Woody lived at during different points in his life. The documentary
also includes rich and vivid oral histories by some of the key players
in Woody's life, artists who have been influenced by Woody, and
scholars who have much to say about Woody's contributions. The interweaving
of these oral histories provides multiple perspectives of Woody's
complex life and work. We really look forward to seeing the final
version!
Recent Researchers
and Visitors to the Archives
Jim
Pollard continues to research Woody's experience with Huntington's
Disease. Working with HD patients and their families, Jim hopes
he can put together valuable information on HD from the patients'
perspective based on Woody's writings. Jim has helped us to recognize
the significance of the material, as it is rare for HD patients
to write so much about their environment, condition, outlook on
life and more. Woody, of course, was as prolific as ever during
the period of his life that he suffered from HD. Jim is reading
though all of what Woody left behind and working towards helping
others to understand this disorder. It's been a pleasure having
Jim around, and it's been a great learning experience for us as
we watch his wheels spin and discuss ideas with him!
Sarah Burger,
a senior at Cornell University, spent some time with us this summer
as a song transcription intern. We were very lucky to have Sarah
work with us. She completed over 100 song lyric transcriptions,
which is a good step forward for our copyright and song documentation
projects!
Matt King investigated
Woody's experience in Pampa, Texas for a possible book proposal
that engages concepts of travel and tourism.
Alain Dister,
from the Museum of Music in France paid us a visit, looking at Woody
Guthrie material that might be appropriate for a potential Woody
Guthrie exhibition in Paris.
Steve Brower
of Print magazine continues his work with Nora Guthrie on a book
of artwork by Woody Guthrie. This will be the first book to focus
on Woody Guthrie as a visual artist.
Jeff Morgen,
PhD student at Stanford University continues his research on Woody
Guthrie. Jeff's dissertation looks at the development of Woody Guthrie's
"Okie identity," how it developed, and how Woody himself
cultivated this identity.
Kay Ritchie,
a producer from the BBC Scotland, was here researching material
for a special Woody Guthrie radio program that was broadcast in
the UK. She was able to find some "smashing" material
in the Archives for her piece in a notebook Woody wrote when he
was in Glasgow while with the Merchant Marines. Kay's piece, "Intimately
Woody" discussed the legacy he left behind and the contemporary
artists who credit Woody as an influence on their songwriting and
music. The radio broadcast also included interviews with Nora Guthrie
and some of the musicians she is working with on an upcoming project.
Special Accessions
This
past season we have received some terrific gifts. Here are just
a few of the items we recently accessioned into the collection:
Victor Wolfenstein
deserves a special thank you for the wonderful collection of material
he gathered on the life and work of Woody Guthrie. This material
includes cassette tapes of interviews Mr. Wolfenstein conducted
with friends and family members of Woody Guthrie, audio reels of
Woody Guthrie songs, audio reels of Jeff Guthrie, Aileen Guthrie,
and Cluster Bates (circa 1942); a copy of Guthrie's manuscript titled
"House of Earth," one Sing Out! magazine (1967/68), and
a copy of a 1927 Okfuskee County newspaper.
Barry Brooks
donated CD copies of Woody Guthrie's 1940s radio programs.
Stuart Lutz
donated digital images of pages from Woody's recently auctioned
personal copy of "Bartlett's Forty Thousand Quotations."
This unique item contains Woody's annotations, commentary and his
own variations on famous quotes.
We also received
a copy of "Intimately Woody," a BBC program produced by
Kay Ritchie and aired in the United Kingdom this past July.
In addition,
we have accessioned and catalogued a collection of cassette tapes
donated by The Richmond Organization (TRO). These rare and unique
home recordings of Woody Guthrie were made in the early 1950s and
contain rare songs, strummings, and spoken word.
Most of our
collection material is available for viewing and listening in the
Archives. However, a few items may be restricted due to the either
the item's conditions or at the donor's request. If you have questions
about specific collections or items, please contact the archivists.
Visiting
the Archives
Encouraged
by the range of scholarship, creativity, and inspiration that the
Woody Guthrie Collection offers, the Archives welcomes researchers,
scholars, artists, musicians, publishers, filmmakers, and those
pursuing interests related to the life, works, and times of Woody
Guthrie. The Archives is open by appointment only and our hours
of operation are Tuesday, Wednesday, and Friday from 10 am to 6
pm. We encourage visitors to look at the online Collection Finding
Aids on our web site before visiting the archives. Please contact
the Archivists to schedule appointments.
Internship
Opportunities
We
are a small, but very busy office. If you are interested in internship
or volunteer opportunities at the Woody Guthrie Archives, please
submit a resume, a brief proposal of the type of work you are interested
in doing, and a list of three references.
Other tasks
might include song transcription, answering general reference calls,
providing administrative support, and helping out with various archives
projects. Ideal candidates will have a background in archival or
library science, museum studies, music history, or related area.
An interest in, and special knowledge of, Woody Guthrie and folk
music is a plus, as are A/V skills.
Applications
and inquiries should be sent to:
Archivist
Woody Guthrie Foundation and Archives
250 West 57th St.
Suite 1218
New York, NY 10107
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